My New Place

In April I bought a condominium in Northeast Portland.

Why? Two main reasons. The first was to help achieve a sense of stability. There’s a lot in that last sentence, possibly the topic for future posts, and possibly only a topic addressed with beers in hand. The second was economics. Rents are rising in Portland. To me, it makes sense to buy.

Why a condo, not a small house? I want to have the freedom to be gone for longish periods. An apartment seems an easier method than a house for accomplishing that. There are pros and cons of course.

I just finished doing enough with the apartment to call it “done enough”. Furniture, rugs, decorations, some greenery, etc. I have notions for improvements, but the place is now able to accept visitors with a usable second bedroom, and I don’t feel like I have anything urgent to get done. The only major upcoming project is the bathroom, a remnant of 60’s decor that will undergo surgery sometime this winter.

I took some photos, added captions, and printed them for my non-online-savvy mom and dad. They are unlikely to ever visit me here.

Anyway, with those pics hot on my computer, I thought that this was a good opportunity to give others a glimpse of my place on this website.

For those who want to see my place in situ in Portland, use the mapping software of your choice on: 1220 NE 17th Ave. Apt. 12B. It is in Northeast Portland, just east of Lloyd Center Mall, and in the Sullivan’s Gulch mini-neighborhood. It has absolutely fantastic public transport and bicycling available.

I hope that the captions are enough – I decided to just post the pics in the order that I hope my folks look at them. Enjoy!

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Weaving – Christmas 2016 scarves

I decided to make a few scarves as gifts for Christmas 2016. You can see them in the Projects page, numbers 005 through 012.

While making them, I got to know the folks at Northwest Wools in Portland very well. I had a good time there, and they helped me to feel welcome in Portland. If you are near Portland and need to do anything with wool, I can say that they are friendly, even with folks like me who know basically nothing.

They helped me with some yarn choices. They also took some pictures of me for their Facebook page. Oh my. Here’s one of them. Do I look as self-conscious as I feel?

There was a point in time just before packing up the car to start the drive to Arizona where all of the recently woven scarves were in one place. I took a few pictures. Here’s one. I kind of like it. Lots of hours went into what’s on that table!

Weaving 013 – Go Steelers!

This one was not exactly a request, but almost. It was a gift for my dad, a rabid Steelers fan. During other parts of the year it can also serve for the Penguins and the Pirates, Pittsburgh being economical with pro team colors.

It is the first weaving I did in my new place (the subject of another post), so you’ll see some new views.

This might be my last scarf for a while. When I get back to weaving, I want to experiment a bit. I expect to create a lot of, well, to be polite, waste. But I also expect to learn what I can do and what I like to do with my loom.

So here we go! All I had to do was to find some Steelers colors on several web sites and copy one of them…

Black. Yellow (or Gold, depending on how regal you feel). White trim. Onward!

Measuring a good length.

Winding around the peg. Everything seems so organized at this point.

Finished with threading all yarn into the right spot in the heddle.

Finished with winding up the warp, with even tension applied. Ready for weaving.

Weaving underway. We use the general term “weaving” as an overall description, but the process of weaving is not more important, but only equally important to the processes of measuring, threading the heddle, warping, tying off, and finishing (soaking, drying, trimming).

Finished weaving. What’s next on the loom is to tie all ends.

Off the loom, ready for a bath.

Drying in the bathtub after a hot water soak.

A bit of detail. Go Steelers!

Weaving 012 – Red and blue number two

The simple red and blue scarf was well-received, and I had a request for a repeat. One might note that red and blue are University of Arizona colors, and that may have been (ha! was) a factor.

The first one was made with leftover 100% wool and 100% alpaca. This one was made with my usual scarf yarn, 75% acrylic, 25% wool. The colors were slightly different, since the yarn came from different manufacturers. These scarves will likely never be seen together, so I can’t directly comment on the differences. Both ended up looking fine, in my opinion.

All tied up, wound around the peg across the room…

The bungee cord is holding the peg against the tension in the yarn. It is ready to cut, and then comes the warping.

Cut at the far end, and now ready for warping.

Warped, and wound, with all the cardboard in place keeping tension even. Ready to start adding some weft.

Weaving underway. I like these views of a project, all smooth and orderly.

In the heddle. Inadvertent ad placement – this is a Kromski loom, if you didn’t know already. Ha.

Done with the weaving, ready to tie up this end.

All done! By the way, for those of you looking around the apartment, that sculpture on the bookcase is titled “Birth of the Salmon”, and is by Max Metal, a sculptor living on Hornby Island, British Columbia, Canada.

 

Achieving Totality in Salem

I just love that word “totality”. And the phrase “achieving totality”. It sounds like the completion of some ultimate spiritual quest, when really it is just the moon getting fully in the way.

There’s a word for when this alignment occurs: “syzygy” – the straight-line configuration of three celestial bodies in a gravitational system. Astronomers make up the best words. You want to scream out “buy a vowel!” but there are already as many vowels as consonants in the word. Ha. I bet the Scrabble players among us already knew that word.

So, totality comes from syzygy.

Anyway – I have seen a few partial eclipses over the years, but seeing the total eclipse was significantly different. I can understand the importance that ancients placed upon total eclipses. Even though I know about how it happens, removing the mystery, it is still awesome, and it helps me to think of myself as a speck in the universe. That’s a good thing, to think that.

I had the luxury of living nearby for this one. Listening to predictions about overcrowded highways, I woke up very early and left my place in Portland for Salem at 3:30 am. No problems at all getting down there, only 50 miles or so, maybe an hour. I could have slept in a bit, but you never know about these things. I went first to a 24-hour McDonald’s, then to a nice riverfront park and sports venue in West Salem.

There were tents on the edges of all the sports fields, and in all the non-field open spaces. The park management had put out the nicest signs, basically saying “feel free to tent here, we’ve put up extra toilets, but please stay away from the grass in the middle of the sports fields which we try hard to keep in shape for the athletes”. And, people obeyed – it was nice to see.

This part of Salem has a riverfront park that is on both sides of the river, connected to one another by a pedestrian bridge converted from an old railroad bridge. I had a lot of time, so I hiked around before settling on a beach to await totality.

Here are a few pics of the park and of people getting ready.

What’s the adage about sleeping dogs? Oh yeah, I remember…

Here’s the old railroad bridge over the Willamette River, now a pedestrian bridge.

A  view of the early morning quiet Willamette, looking north from the bridge.

We waited and waited and then finally we saw the first edges of the moon getting in the way. So people started clicking away and changing filters on their cameras, fishing out their special sunglasses, and basically becoming more quiet as our attention was now focused.

I tried a few things. The first was the old pinhole projection technique, and it worked pretty well. Here’s a snapshot of the image part way through the partial part of the eclipse.

I also tried taking pictures with my phone camera directly at the partial eclipse as it was happening. I tried many settings. This one is with the HDR (high dynamic range) turned on. Usually the HDR takes a few images and merges them into one – each image being an adjustment in gain, and the merge being the best possible. Obviously that’s a simplification. Looking right at the eclipse with the camera, the HDR got a touch confused, and just overlayed images. At least that’s what I think happened. So you can see the big bright sun, the halo, but also if you look closely you’ll see another image, that being similar to the pinhole projection. That other image mapped its percentage coverage to the pinhole projections as we made progress, which made me reasonably sure it wasn’t a revealed planet or something else.

Finally totality arrived. There were whoops and hollers all about, quite fun. It got dark very quickly. It also got chilly very quickly. This next pic is boring, and isn’t what we were seeing. We were seeing a dark center, and a ring of light around that center, and a halo further out from that bright ring. Then, when totality ended, a bright shot of light came from one edge of what we were looking at, as if a piece of the sun had exploded away from the center. After that, it was a reverse process to the lead-up to totality.

Here’s a pic of our little beach during totality. The camera did its best to make light of a nighttime shot, but you can see street lights on the bridge that came on automatically, and the waterway channel and bridge warning lights looking very bright. It really was dark for a couple of minutes.

Well, that’s it! We all got in our vehicles and headed home. As it turns out, I would have been better off bicycling. The 50 mile return trip from Salem to Portland took more than 4 hours. I learned later from several friends who had made the same trip, that no routes were good. Even the old-timers who knew all the back roads were stymied. Oh well. I would do it again.

Would I travel a long way to see another? Maybe, especially if the destination had some other redeeming virtue. There’s going to be another in the U.S. in about 7 years I think, and this next one is on a north-south line rather than the approximate east-west line of the one we just had. I might go for it.

Portland to Chicago by Train

… and back!

I decided last minute to take a train to Chicago, walk around for a bit, watch a Cubs game, and then come back the same way.

Why?

Well, I had never been on a long train ride, overnight and scenic, especially in the U.S. I had been on trains in New Zealand and Australia, in Europe, along the U.S. Eastern Seaboard, and in China. Some of them were scenic, some were very fast, one went under the English Channel, but mostly they were purpose-built trains, the purpose being commuting.

Also, I had never been to a baseball game at Wrigley Park in Chicago. For those of you who don’t follow baseball, Wrigley Park is one of few old ballparks remaining. Like Fenway in Boston, Wrigley has gone through renovations, but the layout of the surrounding neighborhood prevents too much change. Also, again for those who need help with baseball lore, Wrigley has a special outfield. Instead of cushy matting for outfielders smacking into the wall, at Wrigley the outfield wall is brick covered in ivy. Smacking into the wall at Wrigley is, well, unique. Also, balls get lost in the ivy. They have a set of rules for that.

And I wanted to get a feel for Amtrak. I have more time nowadays, so some trips that I think of as airplane trips might lend themselves to a train trip, if the trip by train is fun. Another factor: Trains pollute less than airplanes.

Lastly, I simply wanted to get away from the apartment for a little while, and for me it is too hot around here for backpacking right now.

So I found myself at Union Station in Portland with tickets to Union Station in Chicago. My data-set of exactly two examples leads me to conclude that if you want to create a railroad station in the Amtrak system, the correct name for your station is “Union Station”. I said this to someone on board, and they asked the legitimate question, “Even in the South?” I am too lazy to look it up.

Union Station in Portland is downtown. Usually the main train station is downtown. This is significantly different from airports, for obvious reasons. But I like it that I started my trip from downtown Portland. Union Station in Portland is an older place, wooden benches like church pews, ornate tall ceilings, a great feel.

For those of us used to air travel, there’s a noticeable lack of security. There is also a noticeable lack of guidance. The security part was refreshing. We just walked up and got on board. The guidance was less refreshing, especially since I was a first-timer. Thinking about it a little while later, at an airport there’s not as much guidance as we might think. We are just more familiar with airports, at least I am, so I know to check in, go through TSA, find the gate, etc. etc. At Portland’s Union Station you really just hang out within hearing distance of a guy who comes to the center of the station and, without electronic assistance, speaks loudly, announcing the next train, reminding passengers to check with the conductors who are now situated in front of the gates for that train. Those of you who regularly go through Penn Station in New York City are probably chuckling at this, rightly so. It is a touch more complex there.

Our train was late. I have no experience to suggest that this was usual or unusual, but I did learn during the extra waiting time that a truck jolted in front of the train while it was coming to a crossing near Portland. This created a space-time challenge (same space, same time, more than one piece of matter) the resolution of which caused a delay of a couple of hours and a release of heat. Nobody was seriously hurt except the truck which was sent to truck heaven with a story for its peers about how dumb some humans can be. The train had a scratch. When I saw the front of the train while walking to get on board, I could see that this train was no stranger to scratches.

On board, we settled in to our seats and we rolled away smoothly from Portland, across the Willamette, then the Columbia, and onward. This next picture is from the return trip but I thought I would show it now, to set the stage. Our seats were wide, with plenty of legroom, and with a couple of different footrests and lounging positions.

The train felt old, with lots of wear here and there, but not in a way that felt shabby. Just old. Everything worked, everything was plenty clean enough, and the seats were comfortable. Sleeping in them was not at all like sleeping in a bed, but was much easier than sleeping on a red-eye airplane coach flight.

To complete the picture of how I spent most of my time, next is a view of the observation car. It wasn’t a dome – it wasn’t higher than any other car – but it did have much bigger windows, and comfortable chairs looking outward. It also had a section with tables, where many groups played cards and some worked on their laptops. I spent perhaps a third of my daylight time in the observation car. I had some good conversations with people there.

While we were in the vicinity of Glacier Park, some rangers were aboard, in the observation car, with microphones and speakers, giving running commentary and engaging the people in the car. Stuff like “Does anybody know the story behind that mountain, how it came to have its name? Anybody? Well, let me tell you…”, and “Show of hands, how many of you have…”  well … That’s not my cup of tea. I appreciate that they gave some good information, and that many people like that sort of thing. Anyway, I saw much of Glacier Park from the comfort of my seat. I did not consider that to be suffering.

The observation car had a downstairs cafe. That’s an interesting word for a place that served microwaved-in-the-plastic-wrapper fare along with coffee and expensive beer, wine, and alcohol. It was okay.

I didn’t take a picture, but the dining car was a regular-window car with, you guessed it, tables and chairs instead of seats. The food in the dining car was very good. It was crowded and busy most times.

Here’s the observation car.

We were a couple hours late, maybe two and a half, getting away from Portland. Amtrak does a good job of scheduling their long routes so that the most scenic parts are traversed in daytime. I felt a little sorry for the non-Oregonians on the train. Since we left late, we lost some of the Columbia River Gorge views to darkness. Here’s a snap from the observation car. There’s more glare than in some other photos because it is getting dark outside, and my camera is trying to capture the scene, but is allowing reflections from the inside lighting. Often the train tracks are right next to the water, north side of the river.

So that was the start, a short time in daylight, then on through eastern Washington and a bit of Idaho in the dark.

On the way out, I had two seats to myself for sleeping. Like a recliner sofa, there is a rest that comes out from the front of the seat, and it can help make the two seats into a small platform. I curled up on that and it was okay, but I didn’t get much sleep either night, to be honest.

On the way home, I had a partner in the seat next to me. I enjoyed our conversations much much more than I missed the extra seat. We covered so many topics and had a few good laughs. I had a delightful time. We ate meals together. But neither of us got what we would call a night’s sleep, either night.

Sleepers are available, but the price due to my late booking, and that it was prime season, was prohibitive. Summer is filled with families. Sleeper prices vary significantly, especially if one plans ahead. It would have been a $2000 addition to my $550 round-trip ticket for a sleeper on this particular trip. I can go a few nights with little sleep for that much money. In other seasons it is possible to get a sleeper for $400 additional, which might be worth considering. Buying a sleeper also gets you some perks, like a “free” breakfast, etc., which helps rationalize the cost.

Anyway, on the way out, we “woke up” in Idaho. “Waking up” implies sleeping, hence the quotes. This photo is just east of our stop at Sandpoint, Idaho.

All across Idaho and into Montana, the scenery was like this. This next photo is just east of our stop in Libby, Montana. Montana is a bit like Texas. It takes a whole day to cross Montana, more than 600 miles.

Population-wise, no contest. Crossing Texas you see a lot more people, more traffic, even though there are vast empty places. Scenery-wise, also no contest – in the other direction. Crossing Montana is a day full of awesome. I had brought all sorts of diversions, books to read, computer (no Wi-Fi on board) to write with, phone to use up mobile data on. For this day it was mostly me glued to the window.

The next photo is the stop in Whitefish, Montana. This was one of the larger stops in Montana, along with the stop at Glacier Park.

Many of the stations were extremely small, with just a “porch” for the station platform, really. Often, we had to make two stops at these places: One stop to transfer people from the front of the train, then we’d pull forward a bit, stop again, and deal with people in the back of the train. Our shortest stop was to pick up an Amtrak employee, and to let off nobody. It was a 15 second stop!

Only a third or less of the stops were of a length and in a place that allowed us to exit the train for a few minutes, take a tiny walk, stretch, have a smoke, etc. The conductors would give us advance warning for those stops. I’m not sure that this cross-country train ride is fun for smokers. There were a few who really used these stops to load up. And, on the way back from Chicago, we had a “smoking in the bathroom” incident in our car. We got a lecture from the conductor and a warning that this was a felony. That was a little hard to believe.

Like I already wrote, the scenery was amazing. Here are a few photos from the several hundred I took along the way. These are while going through Glacier Park, and then in eastern Montana as the mountains gave way to high prairie.

See the kayakers?

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Somewhere along the way here we crossed the Continental Divide at a mile high, give or take a yard.

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We spent the night finishing up eastern Montana, and crossing North Dakota. I got to see some of North Dakota in daylight on the return trip, and took some photos of the vast plains. I’m only going to write and show the outbound trip in this post – that’s enough to get a gist.

In the morning we arrived at St. Paul, Minnesota, had a longish stop, still only a half-hour or so. This was the first “big city” we came to after Portland.

Talking with the conductor, he said that they were trying to make up some lost time, but the attempt was more difficult than one might imagine. There are many freight trains on this route, and we give way to them. Amtrak is part of the government, so we are sort of “non-profit”, and don’t pay for the rail use. (Actually, this route loses money, while Amtrak on the East Coast makes money.) The freight trains pay the government a lot to roll on these rails, so they get preference. Our normal route is synchronized somewhat to avoid freight trains, and since we were late we were also out of sync. So, every so often we sat on the sidelines while a freighter rolled past.

At St. Paul we met the Mississippi River, and rolled along beside it for quite a ways across Minnesota.

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The Mississippi turned south, and there was no way to get to Chicago that way, so we crossed it and continued east.

After a short run down the western side of Lake Michigan, we could see Chicago in the near distance. We never were that near to the lake, though. No good views to be had there.

And then we were done! We came out into Chicago’s Union Station, which was about the same age as Portland’s, but much larger, much more ornate, and seemingly newly refurbished. It looked like new and I know that it isn’t new.

I’ll stop here. I might make a separate post about my short Chicago visit and the Cubs game. In case I don’t, here’s an extreme summary: Chicago downtown is fun. The Art Institute of Chicago is one of the best art museums I have visited. The Cubs beat the Reds 15-5, but the game wasn’t as close as the score might imply, ha, and I was happy to be wearing a Cubs hat.

The trip from Portland was all new to me. I was alone, and spent a lot of time taking photographs and a little time on my computer. The train shakes a bit, so using the computer for reading or watching video is okay, but attempting to type and to use a touch pad wasn’t effective. Others might think it’s fine, but I had difficulty.

The return trip was different. I had a seatmate for much of it, quite nice. The scenery was of course similar, but at different times of day. I took fewer photos.

I was happy to see downtown Portland as we crossed the Willamette, happy to get on MAX right outside of Union Station, and happy for a full night’s sleep in my own bed.

Would I do it again? Certainly. It was quite fun and relaxing and scenic. I now know enough to consider the train to Los Angeles or San Francisco, or even a train across the U.S. at some point. I also know a little bit better about what’s useful and not useful on board.

I’m considering some easy trips on the short Amtrak and Cascades routes up and down the Northwest coast. A couple in my building have taken the train from Portland to Seattle on a Saturday, watched a night Mariners game and a day game with a downtown hotel stay in between, then returned Sunday night. Everything they did was within walking distance of the station. A pretty good weekend if you are a Mariners fan, eh? And no I-5 traffic hassle. Important!

Next trip: Would I only do it again with a sleeper? No, but it depends on what is coming up after the trip. For each leg of this trip I was headed to either a hotel with a nice bed, or home, also with a nice bed, and with no responsibilities other than sightseeing. And, two night’s worth of not great sleep is not disabling for me. I know that it is for some. If I had to immediately do something important on arrival day, a sleeper might be more enticing.

 

 

Weaving 011 – Blue and lavender non-wool

This one was a little bit special. The recipient is allergic to wool, so my usual 75% wool 25% acrylic yarn from Turkey wasn’t going to cut it, and the 50% wool 50% alpaca wasn’t exactly it either.

I had already made one scarf from 100% acrylic, and that was a possibility. But I didn’t like the feel of it and the washing/drying of it as much as I did the wool blends.

At The Woolery the excellent staff introduced me to some special yarn from Japan. It is 40% cotton, 30% silk, and 30% viscose (a rayon produced from bamboo). I really liked the available colors and the texture felt great.

The Woolery folk warned me that this yarn was not nearly as strong in tensile strength as wool blends. They told me why this was so in technical terms which I immediately forgot. I had to be careful when pulling it while measuring, and when keeping it taut as I wound it onto the warp beam. Sure enough, I broke it a couple of times before I learned, proving that I am only somewhat trainable. Once woven into a scarf, the material is plenty strong enough.

Because the loom was kept relatively loose, this particular project went a little more slowly than others, as I had to re-learn the feel for a good weft, and generally pay more attention on each pass. This is exactly the kind of experience I wanted – to see how differing something changes the way that you weave. My plan is to be able to weave using many different materials, and this is a good introduction to that variety.

Here’s the yarn being draped around the distant peg for measuring. You almost can’t see the lavender stripes along the bottom third.

Here’s a view before pulling every other strand through a heddle hole. If you compare this to some other similar pics for other scarves, you’ll see that this yarn is a little bit thinner than what I’ve been working with up to now.

Here’s a pic of just starting to weave. At night I had several spot lamps trained on the work to see what I was doing.

And now the weaving part is done, and what remains is to take it off the loom and tie it off at each end.

This is another view of the weaving part being done. The take-up beam is full of scarf.

The final product, ready for trimming. It turned out that washing in hot water and drying had a similar effect on this material as it did on the wool blends, so that was good.

Here’s another shot at the final product. With even slightly different lighting the colors look different.

And here is a little shot of my factory floor, tee hee. You wouldn’t know it but those who know me know that this level of clutter would normally be bothersome for me. Somehow, while making scarves, it didn’t bother me at all.

Weaving 010 – Red and blue

Just to show that red and blue can coexist together… Wait! That’s not the real reason, that’s just a juvenile political nag and I’ll reserve other blog posts for that rot.

Okay, let’s start over. I had some really nice wool/alpaca red and blue yarn left over from my felting experiment, and decided to make a scarf to use up that yarn. I only had enough of each to make half a warp, so that’s what I did. In fact, this scarf is a touch skinnier than the others because I ran out.

The weft is simple 75% wool 25% acrylic black. The effect that I sought was a deepening of both the red and the blue, to have this scarf as rich in the look as possible.

Stretched out across the apartment, measuring the warp. This photo reminds me that my apartment in Portland had a very nice view of the neighborhood, on a tree-lined side street. My condo has a great 12th-floor view of Portland and of some mountains, but there’s something to be said for the smaller view as well.

Measured and cut. The next step is to thread every other piece through the holes in the heddle, so there’s a slot/hole/slot/hole setup.

Midway through weaving, with the black weft. I’m chuckling at this photo – in front of the bicycle wheel is a set of tire chains. In Portland, it was one of those “special” winters.

Done except the trimming, resting on the beige chair.

Another view, this time against a dark brown sofa. By the way, that wool blanket is from New Zealand, and is more than 30 years old now. Time flies.

Weaving 009 – Lavender with beige stripe

This one was truly a spontaneous buy. I saw some nice wool at The Woolery in Portland and thought that I hadn’t made a feminine scarf since the one I made for my mom. So I got started on this one.

The color is lavender, with a wide beige stripe. Both colors are from the same manufacturer, same style with some extra details in the yarn.

From the old movie “They Warp at Night”…

All wound up onto the warp beam, tied off at the take-up beam, and ready to start some weaving…

About halfway done with the weaving, making progress…

And, done, except for the trimming…

A closeup, to see the nice detail in the yarn. And also to remind myself that edges look so much better if the warp and weft are the same yarn. That color consistency camouflages minor errors.

Weaving 008 – Colorful leftovers

I noticed that I had built up a stash of yarn, each bundle with these qualities – not enough for a complete scarf, but too much to discard.

So I decided that it was time for a “leftovers” piece.

I went through many possibilities and settled on a multi-striped warp and a single-color weft. I had one full skein of dark wool and I used that for the weft.

I think the result must mimic the flag of one or several nations. If you are a resident of one of those nations you can take this as a patriotic scarf! Otherwise, you can still take this as a colorful scarf.

I’ve measured the warp, tied on the yarn to the warp beam, cut the other ends, and now am preparing to complete the warping by threading every other strand through a hole in the heddle adjacent to the slot.

I’ve completed the warping, and wound the warp onto the warp beam, with even tension and with the helper pieces of cardboard. Then I’ve tied the ends to the take-up beam.

Here I’ve just started weaving. The light weft is there to get going straight. The dark weft is what I’ll keep.

Making some progress, mid-way:

Here I am finished with the weaving. What’s left to do is to cut or untie the strands from the warp beam, then unroll and do the same thing for the strands on the take-up beam.

Complete, except for trimming.  This is one I kept for myself. It was usefully warm for walking around this winter in Portland!